Big Paper drafté

Welcome to the good life. We have pie and punch.

Intrigued? Well the good life, or rather, the concept of the good life is essentially that simple. As Americans, we are bombarded from all sides by images of what the good life entails, and thus everyone has built a perspective of "the good life". I propose that the good life is a life of awareness - most people are not aware that they are being controlled and impacted by pop culture and living what they think is their idea of a good life, an idea supplanted into each of their minds. Many people have their own take on the good life, some people I interviewed, some people who broadcast their ideas through music and others who sell it to us by other means. Perhaps the good life doesn't exist, and it is only a concept created by corporations to help sell their products. Perhaps it does exist and it is easier to attain than one would think. Based on many perspectives, we can work towards debunking the concept of a "good life".

Perhaps the best way to start unraveling the theory of a good and meaningful life is to start with my own belief system. I hold it true that a good life is something people must strive for, not something that you can be born into, such as may be the case with material wealth. No, I find that a truly good life is a life where you operate in full awareness of the factors guiding your life, factors trying to mold you into their image. Becoming aware in the sense that you can see the puppet strings that try to attach themselves o you is not an easy task, one that I am not versed in too deeply. It is the case for many people to subconsciously adopt the motto "ignorance is bliss" wherein what you don't know cannot hurt you. In this case it can be inferred that if you are ignorant of an assailant creeping up behind you, you will be perfectly fine, but if you are aware of his presence, then you are in some serious danger. What good can it do you to be unaware of the puppeteer that is controlling your every action and controlling every thought you think is your own? The way I see it (or perhaps I have been conditioned to see it this way, it is certainly a possibility) someone should try to be as aware of both themselves and everything impacting them as they can.

I am well aware that my ideas are not my own. I doubt that any of my ideas concerning my life and attitude have anything to do with me. I am a product of my environment. I can tell you, it’s a very uncomfortable position to be in; you don't know exactly what your beliefs are, you second-guess everything because you know that it came from one source or another. That's why I believe I find the most meaning in writing. True, most plot devices and in general, plots, have been created before. But the truth remains that when you put pen to paper or words to a screen, it is an original burst of thought from yourself. Even for those not gifted in writing can create something original and meaningful. The quality of the work doesn't have to be good, but it is meaningful in that it was created from the author's originality. Creating a fictional story, a poem, really any form of creative writing has meaning because it defies corporate media. If it's original, it's unaffected by anything but imagination. Perhaps it is cliché to say this, but imagination ultimately boils down to the best tool to defy social norms.

I talked to several people to determine what they felt made a good and meaningful life. Talking to these people made it evident that some people have not given a whole lot of thought to their life’s meaning, and much less to the concept of meaning in general. Person A said "Meaning, well that's the stuff that has importance to you, like, the stuff you like." similar to this was Person B who said that meaning "isn't something that can be easily tossed away, more like the stuff that's precious to you." From these two, we're left to wonder exactly what importance is - what makes something a necessity to someone? I think people have been greatly encouraged to not think critically about "abstract" things like the meaning of life and what makes a good life. Instead, people focus on the more concrete concepts of "things". People put significance into objects, like their new phone, their clothes, and their cars. It seems that people hold things important, and the better the thing makes you look in person, the better and more important it becomes to you. Things in themselves hold little actual value, however. Sometimes people use these things to stimulate other ideas. A person may find a photo album important, as it documents what they see as important events in their lives or the lives of loved ones.

In America we are greatly exposed and more or less run our lives by Popular culture. Within Pop culture lay three different but not necessarily separate categories: Corporate, Folk Culture, and Big Subcultures. For this unit we have delved deeply into personifying Corporate Culture. Within this subcategory of Pop culture lie more subcategories that classify the messages broadcasted by corporate culture. These categories are Dominant, Marginal/Fringe, and Prohibited/Unacceptable. Dominant messages are those that are the basis of the music videos, movies, and books that we all consume. They typically involve "good" values of misogyny, heroism, and going with the flow. Marginal or fringe messages are those like "You can smoke pot and be a drug addict while you're young and single, as long as you clean yourself up and get settled with a nice wife and 2.5 kids.” They start off "bad" and end up "good". In prohibited messages, however, you will only see the direct opposition to the Dominant culture, and this is why you hardly ever see these kinds of messages being tossed around casually. The instances where these are shown are often found alongside the marginal messages, as the two are related. A prohibited message might encourage you to take to the streets and start the revolution, destroying every piece of corporate anything you find.

One medium that essentially serves up corporate messages to teens on a silver platter is the ever-expanding world of video gaming. With 3 current-gen gaming consoles, the attraction to video gaming ranges between age groups of 8 to 20s and
30s. Most every video game has a plot in which you must defeat a foe of some kind. In most of these you play the story's hero. You are the cream of your village's crop, there's something special about you, and you have a predetermined destiny for greatness. This serves as a drag for many teens, albeit subconsciously. They need the affirmation that they can be better than what they are now, that they can do more. Other than that, gaming is like a new sport between teens, a new form of competition where you can truly outshine your peers and earn your bragging rights without ever actually accomplishing much. It is a form of grandstanding, with every game becoming worse and worse, making you capable of doing more and more to humiliate your friends. Not to mention that the games' level of violence is another huge draw; it gives teens the ability to commit deviant crimes without suffering punishment. It allows teens to battle against armies of "evil" creatures, without doing much to reflect on the evil of killing said creature. For social devolution we can all count video games as a major player, no pun intended.

Another method of providing corporate messages is through literary media. Institutions like publishers and bookstores have a huge say in what we the people read. The process of putting a book through publishing from first draft to final, printed copy is a long and hard ordeal involving many rewrites and drafts. Typically we end up with the watered down and editor approved version of the author’s ideas. When the writer first sets his pen to paper (or fingers to keyboard) he or she puts out an unpolished brick of a story, one that needs refining in order to pass through to publishing. The first brick of text contains all the author’s ideas for the work and everything he sees going into it. Some of those ideas get lost in the editing process and thus the author is limiting the ideas and the opinions in the text. Clever authors are the ones who lose very little to the crippling gaze of the publishing fiend. Take for example that most Fantasy stories follow the same string of plot as every other one. However, we do have those that pop up to take a different tact. Every story has a hero. Every story has a villain. Every story with a hero has a conclusion where typically the hero is victorious over the villain. He may even fall in love throughout the course of the story.

To look at the blend of corporate culture and folk culture as a transitionary tool, I bring up the example of the christmas holiday. I remember a time when I would eagerly count down the days until Christmas came, waiting impatiently for the mystical Santa Claus to appear and deliver his various Christmas gifts to me on the 25th of December. It used to be a time of complete and unbridled happiness, and no, I'm not overstating that. However, as time progresses and one grows older, discovering certain truths about your childhood beleifs, Christmas becomes just another day in the year, except you are presented with gifts by people and are expected to give gifts to others. Things reverse polarities, where I would have found myself counting down days until Chrismas arrived, this year I found myself shocked to find that Christmas was three days away, and I had nothing done in the way of shopping for my girlfriend. Another slight example of how things switch around between childhood and adolescence is gifts. When I was a kid, and I'm positive that most of us think this way, I hated getting clothes as a gift from my relatives. Now I find myself asking for clothes as opposed to whatever else they might imagine I want.
Connecting this to the material we have discussed in class, I can see clearly the corporate strings attached to the Santa puppet. The entire concept of Santa Claus is a machination of the Coca Cola company to sell more of heir own product. Our parents perpetuate the lie because it has become imbedded in our American folk culture, a magical being who rides around the world and delivers presents to "good" children and coal to "bad" children. Folk culture present in this ritual is the concept of good and evil, though perhaps a bit downplayed. Santa, the judgement figure, declares that good children recieve gifts as a reward of their goodness, and bad children should get coal to serve as a punishment that isn't too harsh, but a reminder for them to get back on track. Seeing as Santa does not actually exist, no parent gives their kid coal, so every Christmas-celebrating kid in the world is led to beleive they are good. It's like another one of those self esteem-boosting rituals, much like the gold star. It is a representation of people's constant need of affirmation that what they are doing is right and they should feel good about themselves.
Changing pace for a minute, I would like to point out how the Christmas Holidays change from beacons of happiness to ultimately depressing slumps. Consider it like this; you've lost faith in your shiny, polished idea of a benevolent gift-giver, your relatives don't know you well enough or don't see you often enough to know what gift to get you, and so they just give you money to make up for it. You find out that Christmas is a shallow holiday of give and receive, emphasizing on your own reception. Turning on the tv presents a barrage of holiday themed ads desperately trying to get you to buy their product. Christmas can bring me down like no other thing, making me just regret the fact that all the people around me feel the "Christmas Spirit" and i can't. Every year, my mother plays the same CD, a christmas collection Cd. John Lennon, Live Aid, thta kind of stuff. When I was younger I couldn't really understand the lyrics, but it certainly set the mood. That music meant it was christmas time. We played the same songs this year, but now I understand the lyrics and I can't identify how they set off those Christmas sparks inside me. I wasn't satisfied with just being devoid of Christmas spirit, so I asked my immediate family if they felt it. They all said yes. This meant to me that the spirit isn't determined by age. I still haven't found out what exactly causes it, or lack of it.

Moving into folk culture,